Sydney Opera House VOX (Sydney Philharmonia Choirs) Fri 27 June 2025 Review by Paul Neeson (Arts Wednesday) Eric Whitacre is the master of suspension. Not in the horror movie kind of way, but more in his ability to create musical tension through harmony, sustain it until you think it will burst, and then resolve it […]
Read More… from Review: Eric Whitacre & VOX – Eternity in an Hour
21 June – 6 October 2025 Art Gallery of New South Wales Naala Badu building Lower level 2 Review by Anthony Frater (Arts Wednesday) Just when you thought you’d seen it all in relation to an indigenous fine art exhibition, along comes the AGNSW with Yolŋu power: the art of Yirrkala. From the 1940s to […]
Utzon Room, Sydney Opera House Saturday 21 June, 2025. Sydney Symphony Orchestra Review by Paul Neeson (Arts Wednesday) While the music was exceptionally good (as you would expect), being up close and personal with members of the Sydney Symphony Orchestra was a unique experience in this latest offering from the Utzon Music Series. And the […]
Australian Brandenburg Orchestra City Recital Hall Tuesday 17 June 2025 Review by Paul Neeson (Arts Wednesday) In “Baroque Unleashed”, the Australian Brandenburg Orchestra rises to a whole new level in a concert of standard Italian Baroque music from the great composers of the era. Without a guest international star or any colourful staging or lighting, […]
UNSW Gallery until 10 August Review by Anthony Frater (Arts Wednesday) On now at the UNSW Galleries is an exhibition that gives the viewer a unique opportunity to see some indigenous fine works of art rarely seen in such a complete and comprehensive way under the one roof, particularly in this case, works from an […]
Read More… from Review: Parlingarri Amintiya Ningani Awungarra: Old & New at Jilamara Arts
Wednesday 4 June 2025 Sydney Opera House Bangarra Dance Theatre Review by Paul Neeson (Arts Wednesday) For their brand new production, Illume, Bangarra Dance Theatre have been allowed onto the stage of the Joan Sutherland Theatre for the first time, and this huge new space was barely big enough to contain their brilliance. Every aspect […]
Seymour Centre Saturday 31 May 2025 Outhouse Theatre Company Review by Paul Neeson (Arts Wednesday) Consensus is a difficult thing to achieve, especially when it is being used as a weapon to stifle debate and silence opposition. This is one of the many themes explored in Outhouse Theatre Company’s production of Eureka Day running until […]
Sydney Opera House Sydney Symphony Orchestra Saturday 17 May 2025 Review by Paul Neeson (Arts Wednesday) Conductor, Elim Chan, is one of the most exciting guest conductors the Sydney Symphony has worked under in some time. While slight in stature, her enthusiasm is contagious and large, her focus acute; her physicality elicited a great depth […]
Australian Chamber Orchestra Carolina Eyck (theremin) City Recital Hall Saturday 10 May 2025 Review by Paul Neeson (Arts Wednesday) “The Theremin is often thought of as a novelty, but in the masterly hands of Carolina Eyck it becomes an instrument of classical majesty and contemporary brilliance.” (ACO program guide by Shaad D’Souza) This was the […]
Sydney Symphony Orchestra Sydney Opera House Friday 9 May 2025 Review by Paul Neeson (Arts Wednesday) Daniel Lozakovich is definitely a name to watch, as the star of this 24 year old Swedish violinist is sure to rise as he embarks on his solo career. His exotic good looks that stem from his Kyrgyzstan mother […]
Read More… from Review: Daniel Lozakovich performs Sibelius’ Violin Concerto
Saturday 22 March 2025 Loading Dock Theatre Qtopia James Elazzi is one of Australia’s freshest theatrical voices and his new play, Saints of Damour firmly cements his place as a – I want to say great but maybe it’s too early for that – let’s say formidable Australian playwright. His ability to mine the emotional […]
Thursday 6 March 2025 Sydney Symphony Orchestra Sydney Opera House London born conductor, Finnegan Downie Dear lead the Sydney Symphony Orchestra in tonight’s program of Ravel and Brahms. A one-time assistant to Simone Young, his tall lean frame leant itself to garnering a wide range of emotions and nuances from the musicians. And as SSO […]
Read More… from Review: James Ehnes performs Brahms’ Violin Concerto