Reviewed by Anna-Celine Rautenberg
Attending the premiere of Guys & Dolls on March 21 at the Fleet Steps, with the iconic Sydney Opera House and Harbour Bridge as a backdrop, was an experience that seamlessly blended the magic of Broadway with the enchantment of Sydney’s harbor. This production, presented by Opera Australia, transformed the open-air stage into a vibrant slice of 1950s Manhattan, offering audiences an unforgettable evening of music, dance, and storytelling.
Cody Simpson, stepping into the role of Sky Masterson, exuded a charismatic charm that captivated the audience. His portrayal of the suave gambler was both confident and nuanced, showcasing his versatility as a performer. Opposite him, Annie Aitken’s Sarah Brown was a revelation. Her voice, reminiscent of the classic timbre found in vintage recordings, transported listeners to another era, evoking the nostalgic warmth of old vinyl records. The chemistry between Simpson and Aitken was palpable, culminating in their duet “I’ve Never Been in Love Before,” which was nothing short of magical and left the audience in awe.
Bobby Fox delivered a compelling performance as Nathan Detroit, embodying the character’s internal conflict with authenticity and depth. His portrayal highlighted Nathan’s struggle between his gambling endeavors and his commitment to Miss Adelaide. Angelina Thomson, as Miss Adelaide, was a standout. Her comedic timing, vocal prowess, and stage presence brought the character to life, eliciting both laughter and empathy from the audience. Her rendition of “Adelaide’s Lament” was particularly noteworthy, capturing the character’s endearing vulnerability.
Jason Arrow, known for his role in Hamilton, took on the character of Nicely-Nicely Johnson with gusto. His performance of “Sit Down, You’re Rockin’ the Boat” was a showstopper, infusing the number with infectious energy and earning well-deserved applause. The supporting cast was equally impressive, with each member contributing to the production’s dynamic and cohesive ensemble. And a special mention must go to the touching solo from Arvide Abernathy (Sarah’s grandfather), whose heartfelt delivery made More I Cannot Wish You one of the most emotionally resonant moments of the night.
The choreography, under the direction of Kelley Abbey, was among the best I’ve witnessed. The dance sequences were meticulously synchronized, exuding vitality and precision that elevated the overall production. Each movement seemed to capture the essence of the era, adding layers of authenticity to the storytelling.
Visually, the production was a feast for the eyes. Brian Thomson’s set design effectively transported the audience to the bustling streets of 1950s New York City, while Jennifer Irwin’s period-inspired costumes added to the vibrant atmosphere. The live orchestra, positioned in view, added an extra layer of immersion, allowing the audience to fully appreciate the musical intricacies of Frank Loesser’s timeless score.
The outdoor setting with the city skyline illuminated against the night sky, added an unparalleled ambiance to the performance. The gentle harbor breeze and the occasional sounds of the city complemented the on-stage action, creating a multisensory experience that was uniquely Sydney.
In the end, Guys & Dolls on Sydney Harbour was everything you could want from an open-air musical: a vibrant, expertly executed production set against one of the most beautiful backdrops in the world. With stellar performances, tight choreography, and a setting that made every moment feel cinematic, this was an evening of pure theatrical delight. This production not only pays homage to the classic Broadway musical but also reimagines it in a way that feels fresh and exhilarating. If you’re looking for a night of toe-tapping tunes, heartfelt romance, and Broadway magic under the stars, this production is not to be missed.
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