Sydney Opera House VOX (Sydney Philharmonia Choirs) Fri 27 June 2025 Review by Paul Neeson (Arts Wednesday) Eric Whitacre is the master of suspension. Not in the horror movie kind of way, but more in his ability to create musical tension through harmony, sustain it until you think it will burst, and then resolve it […]
Read More… from Review: Eric Whitacre & VOX – Eternity in an Hour
Utzon Room, Sydney Opera House Saturday 21 June, 2025. Sydney Symphony Orchestra Review by Paul Neeson (Arts Wednesday) While the music was exceptionally good (as you would expect), being up close and personal with members of the Sydney Symphony Orchestra was a unique experience in this latest offering from the Utzon Music Series. And the […]
Wednesday 4 June 2025 Sydney Opera House Bangarra Dance Theatre Review by Paul Neeson (Arts Wednesday) For their brand new production, Illume, Bangarra Dance Theatre have been allowed onto the stage of the Joan Sutherland Theatre for the first time, and this huge new space was barely big enough to contain their brilliance. Every aspect […]
Sydney Opera House Sydney Symphony Orchestra Saturday 17 May 2025 Review by Paul Neeson (Arts Wednesday) Conductor, Elim Chan, is one of the most exciting guest conductors the Sydney Symphony has worked under in some time. While slight in stature, her enthusiasm is contagious and large, her focus acute; her physicality elicited a great depth […]
Thursday Drive had the pleasure of interviewing Ben Marshall, Head of Contemporary Music and Lead Curator for Vivid Live at the Sydney Opera House. Ben talks about his job and how exciting it is to plan events at such a famous location. He shares what’s coming up for Vivid Live, a music festival that focuses […]
Read More… from Interview with Ben Marshall about Vivid LIVE
Sydney Symphony Orchestra Sydney Opera House Friday 9 May 2025 Review by Paul Neeson (Arts Wednesday) Daniel Lozakovich is definitely a name to watch, as the star of this 24 year old Swedish violinist is sure to rise as he embarks on his solo career. His exotic good looks that stem from his Kyrgyzstan mother […]
Read More… from Review: Daniel Lozakovich performs Sibelius’ Violin Concerto
Sydney Opera House, Concert Hall Reviewed by Anna-Celine Rautenberg Last night at the Sydney Opera House, the audience was treated to an electrifying performance that truly embodied passion and power. The Sydney Symphony Orchestra, under the masterful baton of Asher Fisch, delivered a program that transported listeners through a spectrum of emotions – from ethereal […]
Read More… from Review: Daniil Trifonov performs Rachmaninov – A Night of Passion and PowerReview
Reviewed by Anna-Celine Rautenberg Stepping into the Sydney Opera House for Laurent Pelly’s production of Cinderella, presented by Opera Australia, felt like entering a whimsical fairytale. The anticipation in the air was palpable, and with a cast featuring some of Australia’s finest opera talents, expectations were high. Over the course of the evening, audiences were treated […]
Read More… from Review: Cinderella at the Sydney Opera House
Thursday 6 March 2025 Sydney Symphony Orchestra Sydney Opera House London born conductor, Finnegan Downie Dear lead the Sydney Symphony Orchestra in tonight’s program of Ravel and Brahms. A one-time assistant to Simone Young, his tall lean frame leant itself to garnering a wide range of emotions and nuances from the musicians. And as SSO […]
Read More… from Review: James Ehnes performs Brahms’ Violin Concerto
Friday, 28 February, 2025. Sydney Opera House. Sydney Symphony Orchestra. Andrew Haveron (violin) It’s been a while since I’ve heard Carl Vine’s music in the concert hall. He’s been sorely missed since he relinquished the role of artistic Director at Musica Viva Australia, and now that he’s not busy running one of the world’s largest […]
Sydney Opera House Studio Reviewed by Anna-Celine Rautenberg Stepping into the Studio at the Sydney Opera House for Dungeons & Dragons: The Twenty-Sided Tavern felt like stepping into another dimension – one where the boundaries between audience and performers blurred, and chaos reigned supreme (in the best way possible). For those unfamiliar, The Twenty-Sided Tavern is an interactive theatre […]
Wednesday 30 October, 2024 Sydney Symphony Orchestra Sydney Opera House Review by Paul Neeson (Arts Wednesday) Argentinian pianist, Ingrid Fliter gave a consummate demonstration of how to make the piano sing the way Frederic Chopin would have in her graceful performance of his 1st Piano Concerto with the Sydney Symphony Orchestra. Brazilian conductor Eduardo Strausser […]